Detailed adaptive waveform
HiDPI rendering scales to the file's highest peak so the focused waveform remains visible with greater definition.
Open audio or video, inspect a detailed waveform, zoom around the playhead, make a focused edit, and export as MP3, WAV, M4A/AAC, or FLAC.
You can also drag and drop an audio or video file anywhere on this page.•Supports: MP3, WAV, M4A, AAC, FLAC, OGG, WebM, MP4, MOV, MKV, and more
Open common audio and video formats; for video, the editor extracts only the first compatible audio track. Export as MP3, 16-bit PCM WAV, M4A/AAC at 192 kbps, or FLAC.
The editing workspace combines detailed visual feedback with focused controls so you can locate, inspect, and adjust audio quickly.
HiDPI rendering scales to the file's highest peak so the focused waveform remains visible with greater definition.
Zoom uses the current playback point as its anchor; follow playback slides the waveform beneath a centered playhead.
Split the stereo view, enable or disable either channel, and apply compatible adjustments independently.
The post-processing meter shows L/R levels and keeps the clipping warning latched until you reset it.
Use markers, exact times, boundary previews, and an optional 5 ms microfade to reduce clicks at cuts.
Control playback and selection from the keyboard and undo or redo supported destructive edits.
Our interface is designed to be intuitive for both beginners and professionals.
Choose a common audio or video file, paste a public link, or use the microphone. For video, only the first compatible audio track is opened.
Use the side menu to select tools: adjust volume, change speed, clean noise, or apply fade effects. See changes in real-time.
When finished editing, choose MP3 at 128, 192, or 320 kbps, 16-bit PCM WAV, M4A/AAC, or FLAC.
Cut mistakes, adjust gain, and apply a short fade after previewing each change.
Set exact times, keep the selection, and export the excerpt as another file.
Queue files, reorder them, preview the sequence, and join them without overlap.
Use the three fixed EQ bands and compare with the original audio.
Product evidence
The demo audio lets you inspect every tool without choosing a personal file. Automated tests cover real WAV, MP3 and video-to-audio workflows, adaptive HiDPI waveform rendering, zoom, L/R channel controls, peak metering, shortcuts, history, and mobile layout.
Set the selection on the waveform, keep or remove that section, preview the cut, and then export. Compressed formats are re-encoded.
The control applies linear gain from 0% to 200%, shows predicted peak and clipping, and can normalize peak to −1 dBFS; it does not measure LUFS loudness or true peak.
The 0.5x to 3x preview changes immediately and preserves pitch; final processing happens locally during export, and extreme values can still introduce artifacts.
The available controls are high-pass filtering for rumble and low-pass filtering for hiss; they do not isolate voices or learn a noise profile.
Adjust the three fixed bands at 320 Hz, 1 kHz, and 3.2 kHz, inspect the response graph, and compare with the original.
Reverse the whole file or the current selection, preview the result, and apply it before choosing an export format.
Add files to a queue, reorder or remove them, preview the sequence, and join them in order without overlap.
Apply a linear fade at the start or end of the file and preview the selected duration before export.
The chosen audio file is decoded and edited locally. The page may make connections for site resources and consented analytics.
The audio file is not sent to the application server to perform the edit.
Long files require more memory; the practical limit varies by device and browser.
The result is rendered in the browser. Compressed formats are re-encoded.
Browser-based processing
const audioCtx = new AudioContext();
// edit applied locally
> preview: ready
> export: user selects format
Direct answers about how the current tool works.
Cut a selection, adjust gain, use a fixed three-band EQ, apply a linear fade, change speed, filter rumble or hiss, reverse samples, or append files in sequence.
The editor shows duration, selection boundaries, sample rate, separate L/R channels, a post-processing peak meter, and the relevant settings before export. The demo audio lets you inspect every tool without choosing a personal file. Automated tests cover real WAV, MP3 and video-to-audio workflows, adaptive HiDPI waveform rendering, zoom, L/R channel controls, peak metering, shortcuts, history, and mobile layout.
Common audio and video containers are accepted. The editor tries native decoding first and then a local FFmpeg fallback; the file must contain a compatible audio track, and practical size depends on device memory.
The editor accepts common audio and video formats, tries native decoding, and uses local FFmpeg as a fallback to extract the first compatible audio track. Outputs are MP3 from 64 to 320 kbps, 16-bit PCM WAV, M4A/AAC at 192 kbps, and FLAC.
The chosen file is processed locally in this tab. The page may still load site resources and consented analytics.
Guides written and reviewed by the person who builds the editor, including the real limits of each feature.
Guide to online audio editing with cutting, gain, three-band EQ, noise filters, speed, channels and export, including the tool's real limits.
15 min readLearn to select, keep or remove audio with zoom, boundary preview and optional microfade, including the real limits of precision and export.
13 min readLearn to set gain from 0 to 200% and normalize sample peak to -1 dBFS while distinguishing peak, LUFS, true peak and clipping.
13 min readLearn to adjust bass, mids and treble at 320 Hz, 1 kHz and 3.2 kHz, understand frequency regions, and know the limits of a fixed three-band EQ.
14 min readUnderstand the differences between MP3, WAV, FLAC, AAC, OGG and M4A. Practical comparison with a table and format recommendations for podcasting, streaming, editing and archiving.
11 min readUnderstand integrated loudness and true peak, why this editor does not measure LUFS, and how to verify current delivery requirements externally.
14 min read